Archive

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Concrete and Light

Shooting brutalist facades in overcast weather turns out to be the opposite of a compromise. Flat light removes the drama of hard shadows and leaves only the geometry, which is what the buildings were arguing for in the first place. These were taken over three

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Coming soon

This is aleph1.space, a brand new site by AKS that's just getting started. Things will be up and running here shortly, but you can subscribe in the meantime if you'd like to stay up to date and receive emails when

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The Long Exposure

Thirty seconds is long enough for a river to become a surface and a crowd to become weather. I have been trying to find the threshold where motion stops reading as motion and starts reading as texture, and it moves depending on how far away

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Harbour, 6am

The working harbour empties out for about forty minutes between the night shift leaving and the first deliveries arriving. Everything is still lit for work but nobody is working. It is the only time the cranes look like sculpture rather than equipment.

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Notes on Typography

A typeface is a set of arguments about how much attention a reader owes you. Most of the decisions that matter happen below the level anyone consciously notices: the width of a lowercase n, how far the commas hang, whether the numerals sit on the

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Why I Rebuilt This Site

The old version was fine, which turned out to be the problem. Nothing was broken enough to force a decision, so every small improvement got deferred indefinitely. Starting again is mostly a way of making the deferred decisions unavoidable.

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A Short Text Note

This post has no feature image and no public tag. It exists to show two things: that it appears in the archive list, and that it is invisible on the photography grid because Edge's loop template gates every card behind an if feature_

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